Asbestos - An Introduction Comments | Mar 21 2010
This is a film I made in 2009 about artist Asbestos.
Here’s a short video of the new show Banksy has on in NYC called Village Pet Store And Charcoal Grill. Its located at 89 7th Avenue between West 4th and Bleeker Street in the West Village of New York City and is open as of NOW to October 31st (Halloween), Banksy’s pet store is officially open each and every daily from 10am until midnight. The space literally looks like a pet show which can be viewed through the front windows at any point of the day of night. The space is 300 square feet and can’t hold more than 20 people at any one time.
This is the first time that Banksy has used animatronics and a show with absolutely no graff. or street art techniques.
Even Roth or Ni9e. He was the on behind Graffiti Analysis has done it again with his TSA Communication project where messages are cut into stainless steal plates and placing them into their luggage while going threw security while traveling. The idea i feel is incredibly creative and progressive. It makes since that something like this, making art projects with security systems will happen. Aside from the hilarity of the project it could be a pain in the ass for the traveler experimenting with the project and the rest of the line behind you TSA Communication Project home page
If you were custom/security and came across this, would you appreciate the piece or be frusterated and annoyed at the artist?
Even Roth’s new site -> Evan-Roth.com and his blog is still the same
Beautiful Losers celebrates the spirit behind one of the most influential cultural movements of a generation. In the early 1990’s a loose-knit group of like minded outsiders found common ground at a little NYC storefront gallery. Rooted in the DIY (do-it-yourself) subcultures of skateboarding, surf, punk, hip hop & graffiti, they made art that reflected the lifestyles they led. Developing their craft with almost no influence from the “establishment” art world, this group, and the subcultures they sprang from, have now become a movement that has been transforming pop culture. Starring a selection of artists who are considered leaders within this culture, Beautiful Losers focuses on the telling of personal stories…speaking to themes of what happens when the outside becomes “in” as it explores the creative ethos connecting these artists and today’s youth.
Beautiful Losers was Directed Aaron Rose and Co-Directed by Joshua Leonard. The film features the artists Thomas Campbell, Cheryl Dunn, Shepard Fairey, Harmony Korine, Geoff McFetridge, Barry McGee, Mike Mills, Steven “Espo” Powers, Aaron Rose, Ed Templeton and Deanna Templeton.
For a list of screenings and where to purchase tickets check out the screening section of the Beautiful Losers website
JRs most recent project in Spain I love the concept, the stories art and film! ”In it, tradition, the ancient town and its inhabitants history are gathered with the passing of time marks. They are “the town faces” and “the facades of its characters”.In each wrinkles of its inhabitants and in each chink of its buildings, everyday life has been printed as well as longings and illusions of population and the town to build future.”
JR a 25 ans et possède la plus grande galerie d’art au monde. Il expose librement dans les rues, attirant l’attention de gens qui ne sont pas les visiteurs habituels des musées.Son travail mélange l’art et l’action, parle d’engagement, de liberté, d’identité et de limite. Il se qualifie d’artiviste, concentré d’artiste et d’activiste.Après un tour du monde de l’Art de rue (Carnet de Rue, ed. Free Press), il s’installe à partir de 2004 au coeur des cités des Bosquets à Montfermeil et de la Forestière à Clichy-sous-Bois. L’année suivante, il y conçoit “Portrait d’une génération“, portraits des jeunes de ces quartiers qu’il colle, en format immense, dans les anciens quartiers populaires de Paris (Portrait d’une génération, ed. Alternatives).Les photos sont prises très près de la personne. Il utilise le noir et blanc pour créer une différence avec l’agression publicitaire en couleur.En Mars 2007, il réalise avec Marco le projet Face 2 Face, la plus grande expo. photo illégale au monde : huit villes israéliennes et palestiniennes et la Barrière de sécurité / Mur de séparation des deux cotés. Ils collent ses immenses portraits de Palestiniens et d’Israéliens face à face. A travers ce projet, JR a montré que l’Art pouvait faire reculer les limites du possible.Avec son objectif 28 millimètres, des gens qui font des grimaces, des posters immenses et son anonymat, le photographe ne donne pas d’interprétations et laisse un espace libre pour une rencontre entre un sujet/acteur et un passant/interprète. Par la surprise et la question que JR soulève, chacun peut réviser ses habitudes de pensées et se libérer des stéréotypes et des préjugés.C’est sur cela que JR travaille. Poser des questions…La 3e étape du projet 28 millimètres, Women Are Heroes, l’a déjà conduit en Afrique dans des zones post-conflictuelles pour photographier les femmes dont il souhaite partager les histoires douloureuses et témoigner de leur envie de vivre. Leur portrait ont déjà été collés en Sierra-Leone et au Liberia. En 2008-2009, JR développera ce projet en Inde et en Asie.
One of the most creative artists I have ever come across has been Roadsworth. Hailing from Toronto/Montreal Canada his work has never failed to impress and make the viewer contemplate their surrounds.
Peter Gibson, a.k.a. Roadsworth could face up to $100,000 in fines for his controversial ’street’ art. He brings urban banalities to life by creating candles out of crosswalks, for example. He makes one stop to reflect, as does all good art. The question is, should his conscientious work be scrutinized and treated as public vandalism? Or should it not be considered in a different light– as poetic activism, and, as art?
What are your personal thoughts on Street Art? Graffiti? Are they the same or completely different?
Is Roadsworth an artist? a vandal?
What should a city do when a publicly loved (street)artist is caught? Should his art be buffed?
There has been instances in the UK where Banksy’s art has been left due to his popularity/fame and general worth of his piece… Banksy’s art is considered by many municipalities to be “tourist attractions”.
Is Roadsworth in a similar situation as Banksy but a Canadian version? (Banksy hasn’t been caught from my knowledge though).